{"id":442,"date":"2012-10-28T00:39:40","date_gmt":"2012-10-27T23:39:40","guid":{"rendered":"http:\/\/hiphop4life.fr\/chroniques\/?p=442"},"modified":"2016-02-15T12:37:43","modified_gmt":"2016-02-15T11:37:43","slug":"big-krit","status":"publish","type":"post","link":"https:\/\/hiphop4life.fr\/chroniques\/big-krit\/","title":{"rendered":"BEST OF BIG K.R.I.T"},"content":{"rendered":"<div style=\"text-align: center;\"><object width=\"257\" height=\"200\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\" name=\"dewplayer\"><param name=\"wmode\" value=\"transparent\" \/><param name=\"flashvars\" value=\"showtime=true&amp;randomplay=false&amp;autoreplay=true&amp;xml=http:\/\/hiphop4life.fr\/big-krit.xml\" \/><param name=\"src\" value=\"http:\/\/hiphop4life.fr\/dewplayer-playlist.swf\" \/><embed width=\"257\" height=\"200\" type=\"application\/x-shockwave-flash\" src=\"http:\/\/hiphop4life.fr\/dewplayer-playlist.swf\" wmode=\"transparent\" flashvars=\"showtime=true&amp;randomplay=false&amp;autoreplay=true&amp;xml=http:\/\/hiphop4life.fr\/big-krit.xml\" name=\"dewplayer\" \/><\/object><\/div>\n<p><strong>Le hip-hop sudiste est en partie responsable de la d\u00e9gradation du genre.<\/strong><\/p>\n<p>Depuis quelques ann\u00e9es, les ondes sont envahies par la \u00ab\u00a0Trap Musik\u00a0\u00bb, un hip-hop bling-bling sur des intrus dirty south interchangeables &#8211; grosses basses + synth\u00e9s d\u00e9gueulasses &#8211; kick\u00e9es par des rappeurs lyricalement faibles comme Rick Ross, Young Jeezy, Plies, <a title=\"HIP-HOP FRESHMEN\" href=\"http:\/\/hiphop4life.fr\/chroniques\/freshmen\/\">Waka Flocka<\/a>, Gucci Mane\u2026<br \/>\n\u00c0 cause de ce courant musical d\u2019envergure, les rappeurs sudistes furent souvent rabaiss\u00e9s par leurs homologues New-Yorkais et Californiens, les premiers \u00e9tant bien au dessus lyricalement quand les seconds pourront toujours se targuer d\u2019avoir invent\u00e9 le G-Funk.<br \/>\nEt bien que cette mode sudiste continue de plus belle, on a souvent tendance \u00e0 oublier que le Sud c\u2019est aussi et avant tout Outkast, UGK, les\u00a0<a title=\"CUNNINLYNGUISTS \u2013 A PIECE OF STRANGE\" href=\"http:\/\/hiphop4life.fr\/chroniques\/a-piece-of-strange\/\" target=\"_blank\">Cunninlynguists<\/a>\u00a0ou encore\u00a0<a title=\"SCARFACE \u2013 THE DIARY\" href=\"http:\/\/hiphop4life.fr\/chroniques\/the-diary\/\" target=\"_blank\">Scarface<\/a>, des artistes et des\u00a0<a href=\"http:\/\/www.hiphop4life.fr\/battle-groupes\" target=\"_blank\">groupes<\/a>\u00a0l\u00e9gendaires \u00e0 classer parmi les meilleurs.<br \/>\nBig K.R.I.T. s\u2019inscrit clairement dans cette lign\u00e9e, il allie un rap po\u00e9tique et sensible \u00e0 des productions uniques parsem\u00e9es de samples m\u00e9lancoliques et ce n\u2019est pas un hasard s\u2019il est pr\u00e9sent sur le dernier\u00a0<a title=\"CUNNINLYNGUISTS \u2013 A PIECE OF STRANGE\" href=\"http:\/\/hiphop4life.fr\/chroniques\/a-piece-of-strange\/\" target=\"_blank\">Cunnin\u2019<\/a>,\u00a0\u00ab\u00a0Oneiorology\u00a0\u00bb.<br \/>\nDe plus en plus nombreux, il fait donc partie, aux c\u00f4t\u00e9s de <a title=\"HIP-HOP FRESHMEN\" href=\"http:\/\/hiphop4life.fr\/chroniques\/freshmen\/\" target=\"_blank\">J Cole<\/a>, <a title=\"HIP-HOP FRESHMEN\" href=\"http:\/\/hiphop4life.fr\/chroniques\/freshmen\/\" target=\"_blank\">B.O.B<\/a> et\u00a0<a title=\"EVIDENCE \u2013 CATS &amp; DOGS\" href=\"http:\/\/hiphop4life.fr\/chroniques\/cats-dogs\/\" target=\"_blank\">Evidence<\/a>\u00a0entre autres, de cette nouvelle race de rappeurs\/<a href=\"http:\/\/www.hiphop4life.fr\/producers-battle\" target=\"_blank\">producteurs<\/a>\u00a0qui comme dirait\u00a0<a title=\"NOTORIOUS B.I.G. \u2013 READY TO DIE\" href=\"http:\/\/hiphop4life.fr\/chroniques\/ready-to-die\/\" target=\"_blank\">Biggie<\/a>,\u00a0\u00ab\u00a0get high on their own supply\u00a0\u00bb\u00a0!<br \/>\nCertainement le meilleur\u00a0<a href=\"http:\/\/www.hiphop4life.fr\/producers-battle\" target=\"_blank\">producteur<\/a>\u00a0de cette g\u00e9n\u00e9ration, il repr\u00e9sente clairement l\u2019avenir du rap sudiste.<br \/>\nSeuls petits points noirs pour moi, le c\u00f4t\u00e9 un peu amateur de ses instrus d\u00fb \u00e0 l\u2019utilisation de bo\u00eetes \u00e0 rythme manquant de relief et la r\u00e9p\u00e9titivit\u00e9 de certains de ses refrains \u00e0 l&rsquo;image de son single\u00a0\u00ab\u00a0I Got This\u00a0\u00bb.<br \/>\nMais ne faisons pas les fines bouches, Big K.R.I.T., c&rsquo;est 3 mixtapes qui tutoient l&rsquo;excellence.<br \/>\n\u00c0 l&rsquo;occasion de la sortie de son album\u00a0\u00ab\u00a0Live From The Underground\u00a0\u00bb, je croie qu&rsquo;il \u00e9tait temps pour moi de faire un best of des meilleurs sons de ce\u00a0<a href=\"http:\/\/www.hiphop4life.fr\/battle\" target=\"_blank\">MC<\/a>\/<a href=\"http:\/\/www.hiphop4life.fr\/producers-battle\" target=\"_blank\">producteur<\/a>\u00a0d&rsquo;exception qui a d\u00e9j\u00e0 de nombreux morceaux indispensables \u00e0 son actif.<br \/>\nSi je ne devais vous conseiller qu&rsquo;un seul artiste \u00e0 \u00e9couter en ce moment, \u00e7a serait certainement Big K.R.I.T, donc pour ceux qui ne le connaissent pas, vous \u00eates dans l&rsquo;obligation, en tant que fans de real hip-hop, d&rsquo;\u00e9couter cette\u00a0<a href=\"http:\/\/hiphop4life.fr\/chroniques\/playlists\/\" target=\"_blank\">playlist<\/a>\u00a0&#8211; dispo \u00e9galement dans la section\u00a0<a href=\"http:\/\/hiphop4life.fr\/chroniques\/playlists\/\" target=\"_blank\">PLAYLISTS<\/a>\u00a0&#8211; .<br \/>\n<span style=\"text-align: center;\">\u00a0<\/span><\/p>\n<div style=\"text-align: center;\">\n<hr style=\"width: 80%; background-color: transparent; height: 1px; margin-right: auto; margin-left: auto; text-align: center; border-top: 1px dotted grey; border-left: none; border-right: none; border-bottom: none;\" noshade=\"noshade\" \/>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/YpdX14zmQtI\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<hr style=\"width: 80%; background-color: transparent; height: 1px; margin-right: auto; margin-left: auto; text-align: center; border-top: 1px dotted grey; border-left: none; border-right: none; border-bottom: none;\" noshade=\"noshade\" \/>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/wbG7tMyhjJQ\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<hr style=\"width: 80%; background-color: transparent; height: 1px; margin-right: auto; margin-left: auto; text-align: center; border-top: 1px dotted grey; border-left: none; border-right: none; border-bottom: none;\" noshade=\"noshade\" \/>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/8CYkzgAu8PQ\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<hr style=\"width: 80%; background-color: transparent; height: 1px; margin-right: auto; margin-left: auto; text-align: center; border-top: 1px dotted grey; border-left: none; border-right: none; border-bottom: none;\" noshade=\"noshade\" \/>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/sqYgfX6dfxc\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<hr style=\"width: 80%; background-color: transparent; height: 1px; margin-right: auto; margin-left: auto; text-align: center; border-top: 1px dotted grey; border-left: none; border-right: none; border-bottom: none;\" noshade=\"noshade\" \/>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/7xVEa0SMxFg\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le hip-hop sudiste est en partie responsable de la d\u00e9gradation du genre. Depuis quelques ann\u00e9es, les ondes sont envahies par la \u00ab\u00a0Trap Musik\u00a0\u00bb, un hip-hop bling-bling sur des intrus dirty [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":443,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,4],"tags":[160,157,156,158,161,159],"_links":{"self":[{"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/posts\/442"}],"collection":[{"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/comments?post=442"}],"version-history":[{"count":15,"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/posts\/442\/revisions"}],"predecessor-version":[{"id":2204,"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/posts\/442\/revisions\/2204"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/media\/443"}],"wp:attachment":[{"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/media?parent=442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/categories?post=442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hiphop4life.fr\/chroniques\/wp-json\/wp\/v2\/tags?post=442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}